2018數位藝術策展案「遺落在網夢裡」|Qbo 表演藝術論壇-藝企合作 / 活動 - Powered by Discuz!

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2018數位藝術策展案「遺落在網夢裡」

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發表於 2018-2-8 11:58:40 | 顯示全部樓層 |閱讀模式
2018數位藝術策展案
遺落在網夢裡

展覽日期:2018 / 02 / 10 – 2018 / 05 / 06
開幕式:2018 / 02 / 10(六)14:30
藝術家座談:2018 / 02 / 10(六)15:30
座談報名>>https://goo.gl/ASJ9og
地點:國立臺灣美術館 數位藝術方舟   (
403台中市西區五權西路一段2號 )

策展人:曾鈺涓
展出藝術家:徐文愷(中國)、格雷戈里.夏通斯基(法國)、黃怡靜(臺灣)、羅禾淋(臺灣)、凱爾.麥當納&羅蘭.麥卡錫(美國)、谷口曉彥(日本)、卡羅.詹尼(義大利)

電子的速度並不是人類感官的延伸,而是完全脫離了人類的感官。它把我們帶入了一個同時性和瞬間性的世界……
──尼爾.波茲曼




網路興起的那個時刻裡,訊息與影像,便在時刻中不斷地轉換與改變,建構「其時」的訊息象徵。波茲曼批判電子媒體時代,已成為「娛樂時代」,此觀點,在今日的數位媒體環境,更獲得應證。在訊息超載的洪流當中,人們追求表象、歡笑和激情,被娛樂化的訊息,知識消散。數位科技快速地以影像展示訊息,以更快速的遊戲情境消融訊息,將人們禁錮於各種載具的螢幕前,以即時、個人化、直播的手法,將知識、生活、宗教、藝術帶入娛樂性,在遊戲的情境中,重新塑造生活與生命,也建構屬於數位時代的文化。

人們心甘情願參與其中,順從科技提供的舒適服務,科技不僅賦予日常熟悉事物新的符號與象徵意義,並在真實與虛擬的連結狀態中切換,尋求即時快感,進入一個虛實兼存的意識當中。當人們脫離感官的世界時,人與人間的溝通方式與存在的意識被重新建構,「遺落在網夢裡」邀請7位藝術家,以12件作品討論網路中被不斷的拆解與重塑的四種狀態:訊號、意識、權利與訊息。

數位科技與網路媒介,一向被認為是知識訊息的資料中心、遊戲娛樂的產製中心、經濟發展的工具平台等,然而它更是承載著重新塑造人類文化與生存功能與意義的所在。我們是否能透過了解媒介的意義,重新思考訊息的傳播環境與象徵意義,並在數位環境中保有清醒的自我,而非迷失於潮湧而來的訊息洪流當中,耽溺於愉悅的娛樂化訊息所塑造的偽語境當中?是此策展所提出的詢問。

_______________________________________

2018 Digital Art Curatorial Exhibition Program -

Lost in the Net Dream

Date: 2018 / 02 / 10 – 2018 / 05 / 06
Opening: 2018 / 02 / 10 (Sat.) 14:30
Lecture: 2018 / 02 / 10 (Sat.) 15:30
Venue: Digiark, National Taiwan Museum of Fine Arts

Curators: TSENG Yu-Chuan
Artists: aaajiao (China), Gregory CHATONSKY (France), HUANG Yi-Ching (Taiwan), LUO He-Lin (Taiwan), Kyle MCDONALD & Lauren MCCARTHY (United States), Akihiko TANIGUCHI (Japan), Carlo ZANNI (Italy)

For electric speed was not an extension of human senses but a denial of them. It took us into a world of simultaneity and instancy…
—Neil Postman


No sooner did the Internet emerge, than messages and images began to evolve constantly, which has become the emblem of the era of electronic media. The “age of show business” is the term that Neil Postman (1982, 2015) coined as his criticism of this era. This viewpoint finds contemporary expression in the world of digital media today. In the torrent of infoxication, people crave for superficial, cheesy and sensational information, leading to the decline of collective intelligence. Digital technology confines people to the screens of various electronic devices by displaying information with flowing images and dissolving it with game-like scenes that flow even more rapidly. Digital technology also rediscovers the secret to life and the glory of living as well as fosters the digital culture by imbuing knowledge, life, religion and art with entertaining quality in an instant, personalized and real-time manner.

People are delighted to embrace the culture, relishing technological services that not only assign new symbols and meanings to things in their quotidian existence, but also allow people to pursue instant pleasure by switching between the real and the virtual within a constantly connected network, and hence enter the chimeric consciousness intersected by realities and illusions. The way of interpersonal communication and the awareness of existence evolve when people sever their ties with physical senses. Comprising a total of twelve pieces of work, the exhibition Lost in the Net Dream invites seven artists to address the four subjects that are continually deconstructed and reshaped over the Internet: signals, consciousness, rights and information.

Digital technology and Internet media are probably best known as the center of information and knowledge, the factory of games and entrainments, as well as the instrumental platform for economic development. However, the role now incorporates the mission of reshaping human cultures and lifestyles. Accordingly, the key question that this exhibition seeks to address is that whether we can keep ourselves sober in the digital environment by comprehending the meanings of media and reflecting on the environment in which messages and their symbolic meanings are broadcasted, instead of being overwhelmed by the surging flood of information and indulging ourselves in the pseudo-contexts woven with delightfully entertaining messages.

展覽組 陳小姐(#704)
Exhibition Division Ms. Chen (#704)





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